PRESS RELEASES

Two Iconic Chinese Animation IPs Unite on the Big Screen for the First Time as the Datou-Magic Eye Movie Series Holds Its Premiere in Hangzhou
September 26, 2026
On September 29th, 2026, the premiere of The Chaotic 7th Day: A New Happy Dad and Son & Magic Eye Animated Movie was held at Poly International Cinema, Zhongnan Leyoucheng Branch. As the place where Magic Eye was born, the premiere held in Hangzhou is associated with the idea of “going home”. The costumed characters, Ma
Aiming to Find a New Route in International Cooperation, Zoland Animation, a Leading Company of the Zhejiang Digital Culture International Cooperation Zone, Made Its Entry at the Gwangju ACE Fair 2026
September 15, 2026
Gwangju ACE Fair 2026 (Asia Content & Entertainment Fair) was successfully held at Kimdaejung Convention Centre from September 10th to 13, 2026. Organised by the Ministry of Culture, Sports, and Tourism and Gwangju Gwangyeoksi, Gwangju ACE Fair 2026 is the largest interactive exhibition of digital content and entertainm
World Echoes of Eastern Aesthetics: Zoland Animation Wraps Up a Successful Run at the 2026 Annecy International Animation Festival
July 02, 2026
The 2026 Annecy International Animation Festival was held from June 21 to 27, with the MIFA market running concurrently from June 23 to 26. Guided by the State Council Information Office and the National Radio and Television Administration, organized by the China Animation Association, and once again executed by Zoland Anim

About Us

Zoland Distribution is the global content distribution arm of Zhejiang Zoland Animation Co, Ltd located in Hangzhou, China. Originally established with the mission to export its parent company’s extensive library of animation content to the global market, it has since grown to become an all-around distributor of diverse genres of content that cater to all ages across all geographical territories. To date, it has accumulated close to 2,000 hours of wide-ranging content in its repository, and seeks to fulfill the growing demand of global content buyers and platforms, in both traditional as well as new media.